“Compared to manually text editing in Premiere and hunting through raw footage, this has saved me a ridiculous amount of time.”

Claude builds the rough cut in Premiere Pro so you can spend your time on story, pacing, B-roll, and client notes.
Start from an editable timeline instead of spending hours on the first mechanical pass.
The same vertical footage, first as the raw cut and then with animated captions, graphics, and creator-ready treatments applied.
“This is a tool I use to edit faster. I don’t use it to edit for me.”
Claude understands what the video is about, finds the better takes, and clears real edit debt before you begin the creative pass.
Scrubbing long recordings for the clean take
Cutting silence between every sentence
Removing repeated lines and false starts
Cleaning filler words across the whole timeline
Starting client work from a blank sequence
Losing paid hours before B-roll, graphics, and revisions
AutoEdit handles repeatable timeline work. You keep control of pacing, shot selection, B-roll, graphics, music, color, and every client revision.
Build the first pass from talking-head footage without starting from a blank sequence.
Remove long pauses across interviews, commentary, tutorials, and direct-to-camera footage.
Cut false starts, repeated lines, and takes the creator restarted.
Review the timeline and change any decision directly inside Premiere Pro.
Generate captions for long-form videos, Shorts, and social cutdowns.
Use the saved time for B-roll, sound design, graphics, client notes, or the next deadline.
01Open AutoEdit with your talking footage already in the timeline. Nothing needs to leave Premiere Pro.
02Use the plugin inside Premiere Pro to choose the edit you want and run it in one click.
03Cut silences, filler words, bad takes, and repeated takes automatically, then keep full control of the final edit.
Apply caption animations, MOGRT files, sound effects, and repeatable Premiere Pro timeline moves without wasting hours on the same simple motion graphics every week.
Download the Premiere Pro plugin and turn repetitive timeline work into an editable first cut.
No. It creates a starting cut for spoken footage. You still make the final decisions on pacing, B-roll, graphics, music, color, sound, and client notes.
Yes. Every cut stays editable inside Premiere Pro. Keep, remove, trim, or move anything before you deliver the video.
Talking-head videos, interviews, podcasts, commentary, tutorials, courses, and direct-to-camera footage work best.
Claude-powered rough cuts use AI editing minutes from a paid AutoEdit plan. Free tools such as Silence Cutter and selected motion graphics do not use Claude editing minutes.
Yes. Review the keep and cut decisions, change them, and then apply the edit to your Premiere Pro timeline.
No. The goal is to remove real edit debt such as failed takes, abandoned restarts, repeated ideas, and dead air without making the speaker sound robotic.
Yes. AutoEdit includes editable caption workflows and MOGRT styles so you can change the text, size, position, and look inside Premiere Pro.
AutoEdit works with footage where people are speaking. It is not designed to automatically edit silent montages, music videos, or gameplay with no commentary.